Sunday, June 13, 2010

Spiral Markings

The concept behind the spiral markings is to express the spiralling sequence in the trees. The markings are done out of grass woven into string, a basic technique, which is then wrapped around the tree following the direction in which the branches flow around the stem



This aspect of the project has become an interesting concept to work with as it engages the audience closer to the spiral pattern in plants.



A performance piece allowed another form of translation to find the spiral pattern flow. This interaction involved looking at the branches along the stem and using to decipher the direction they grow. Both performers negotiate and collaborate together, thoroughly observing the tree and then wrapping together.

Saturday, June 12, 2010

Sculptures and its representation

The weaving techniques are quite remarkable and may be constructed into many genre of sculptures. I incorporated three major compositions: a flat coiled base with unique individual patterns, string that spiral round the trees as markings, and sump-shaped coiled sculptures with spiral patterns on the exterior surface. As the symbolic representation of life in the basket, so are the coils created in a sculptures portraying a significant representation to a plant and their geometric spiral growth patterns.


The cylinder coiled sculptures demonstrate a solid structure and maintains balance. The coil inside ascends and the bundles keep close together following a standard direction to keep the shape. Each vertical coil can be viewed and plays on the mysteries.

Intriguingly the structure is skillfully, with ease, to create a decorative design on the surface. The Kangaroo apple is estimated, in correspondence with the Phyllotactic Ratio, as a ratio of five. The sequence on the pattern here is five intersected singular bundles across.

As the leaves and branches naturally spiral round the axis, so do the bundles coil in a weave. The bundles in these pieces coil in a continuous motion, representation to the plants where the leaves go round the stem becoming a congested sequence. Deep within, there is a spiral sequence.
Hidden within the weave are coiled patterns reflecting the spirals in the plants.

Near and around Merri Creek, many animals habitat. Close to CERES, lizards naturally habitat under the loos foliage; bark and twigs fallen off trees. It was a piece of information to be aware of and share to locals.
I created a little sculptural shelter to state the fact creatures live around the area. One house I particularly made was a small imaginative feature above the branches in the area where the loose foliage descend off the Eucalyptus trees. The sculpture was a subtle piece and plays a dramatic role amongst the scene and descending foliage.

The cylinder coiled weaves appear as stumps in the landscape. This pattern here is inspired by the Eucalyptus branches around the Merre where they are less congested along the stem and so the spiralling bundles are descending farther apart.
The technique is most successful with the grass to create a tree like sculpture and organic feature. The weaving technique portrays a patterned structure quite pleasing and conveys a symbolic representation.

This sculpture is the most favoured by viewers and its spirals are inspired by the Acacia plant Blackwood (acacia melanoxylon). The sculpture consists of two bundles coiling round creating an illusion there are multiple spirals and the inner coil spirals the opposite direction. The grass and the intriguing shape of the cylinder structure portrays an organic feature where the spirals around the surface create solidity.

Friday, June 11, 2010

Exhibition on the creek

Along the Merri Creek is the first 'Geodesia' series as a result of my Masters course in Public Art. During my research on the site, I was pleased to learn the indigenous grasses growing along the banks of Merri were used traditionally for basket weaving. In my desires to making art derived from nature I pursued this technique and ancient form of art.


On May 16 2010 was the opening of grass woven sculptures displayed on Merri Creek in East Brunswick near CERES Environmental Park. During the hours of 1 - 4pm I showed friends, guests and public where my work is presented. A tour along the path talking about the weaves and the different plants and grasses relating to each other specifically on geometries and growth patterns in plants. Every aspect of the tour had a consequential message and symbolism. Other fragments also brought awareness of the site's cultural background, species, habitats and art impacting on the environment.